Univ.-Lekt. Mag. Dr. M.A. Kristina-Pia Hofer

Kristina Pia Hofer teaches for the Department of Media Theory as Senior Lecturer, and leads the Austrian Science Fund (FWF) project Situating Cinesonics (DOI: 10.55776/V770), which is also located at the Department. In her post-doc thesis, Kristina asks how sound studies researchers can learn – and unlearn – sonic methodologies from minoritarian artists who employ sonic strategies to address questions of power and the politics of representation in audiovisual work. 2015-2018 Kristina worked for the project A Matter of Historicity (amatterofhistoricity.net) at the Department of Art History at Angewandte. 2008 to 2014, she held a position at the Institute for Women’s and Gender Studies (IFG) at Johannes Kepler University Linz, Austria. Kristina also performs music (as/in Voiler, Pfarre, Puke Puddle, Peace Vaults, and others).
Kristina holds a degree in sociology from Johannes Kepler University Linz, Austria, an MA in English and American literature and cultural studies from National Central University Chungly, Taiwan, and a PhD in media theory from the University of Applied Arts Vienna. Her dissertation Media Genealogies and the Pornographic ‘Real’: Essays on Amateur Pornography (supervisor: Gabriele Jutz), won an Award of Excellence of the Austrian Federal Ministry of Science, Research and Economy (2015). In 2015, she also received the award for best publication in gender and media of the Association for Media Studies (GfM).
Kristina has been teaching classes on sound studies, media theory, feminist and queer theory, and academic writing at Angewandte since 2014. In 2024/24, her classes amplify questions of sound archives, ethnographic sound recordings, and Western epistemologies of subjects and objects in academic knowledge production.
Contact
Office Hours: by Appointment
Phone: +43-1-71133-2832
Email: kristina-pia.hofer[at]uni-ak.ac.at
Showroom: Kristina-Pia Hofer
- documents/publications
- edited books/publications
- Sound | In Empty Rooms (2021)
- articles
- Sound as material in "Semra Ertan" (Cana Bilir-Meier 2013) (2025)
- "The Exercise of Listening also Means Listening to What You Read." (2021)
- "You Are Resonating With Ideas More Than With Frequencies." (2021)
- The Limits of Listening (2021)
- “You Don't Only Listen With Your Ears, You Also Listen With Your Muscles And Your Bones.” (2021)
- "Postfach & Anonym zwecklos" (2017)
- Introduction. Dated Formats Now: Material Practices in Audiovisual Art (2017)
- Questions & Answers: New Materialism, Old Media (2017)
- Repräsentation als agentieller Schnitt? (2017)
- Approaching analog amateur porn empirically: Video practices in Austrian swin... (2016)
- Exploitation feminism (2016)
- Pornografische Amateurfotografien im ÖKM, 1981-1989 (2015)
- Pornographic domesticity (2014)
- Schau/Hörlust und Exploitationkino: Textur, Oberfläche, Exzess (2014)
- Vom Begehren nach Materialität (2014)
- chapters
- Sonic Assemblies (2022)
- Zusammenziehen im Untergang (2022)
- "So könnte es also sein. Nice." (2019)
- Feministische Filmwissenschaft (2019)
- Dirty Sound: The Camp Materialism of "Blood Orgy of the Leather Girls" (2018)
- Amateurpornografien auf VHS. Empirische Annäherungen (2016)
- Escape from representation? Excess, meaning and materiality in exploitation cine (2015)
- reviews
- Infektiöse Betrachtungen (2020)
- general documents/publications
- Rechts-Bewegungen - Menschenrechtslehre durch Bewegung (2024)
- Rights Moves - Embodied Human Rights Education (2024)
- Care as Caution and Concern (2023)
- Empfindung und Ermächtigung: queer_feministisches Zusammenarbeiten am GRC (2018)
- Tactics of Rhythm and the Unfolding of History (2018)
- "Vinyl Terror and Horror" as Haptic Paracinema of Sound (2017)
- Historicity in Motion (2017)
- Score, Canon, Revaluation: Giallo Soundtracks and Contemporary Record Collectors (2017)
- Filmische Repräsentation als agentieller Schnitt (2016)
- Veränderungen von (Medien-)Öffentlichkeiten durch (digitale) AV-Medien (2016)
- Sounding Beyond Binaries? Excess, Meaning and Materiality in Exploitation Cinema (2015)
- Countryside vs. Small Town in Herschell Gordon Lewis' Country and Garage R'n'R
- edited books/publications
- research and projects
- Rights Moves (2024)
- Situating Cinesonics (2020–2025)
- A Matter of Historicity. Material Practices in Audiovisual Art (2015–2019)
- awards and grants
- exhibitions
- Popfest Wien 2017 (2017)
- teaching projects & external teaching
- teaching projects & external teaching
- conferences & symposia
- Konzepte zu Sound (Art) Research (2023)
- 1493 und 1943: Nullpunkte der Gewalt im Lavanttal (2022)
- The situated dancefloor: Artistic positions (2022)
- Listening as / to / counter in_visibility (2021)
- Workshop 3, FWF-Einzelprojekt P 27877-G26 (2017)
- Workshop 3, FWF-Einzelprojekt P 27877-G26 (2017)
- Workshop 3, FWF-Einzelprojekt P 27877-G26 (2017)
- Workshop 4, FWF-Einzelprojekt P 27877-G26 (2017)
- Un/Gleichheiten Revisited: Jahrestagung der ÖGGF 2016 (2016)
- Workshop 1, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 1, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 1, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 2, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 2, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 2, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 2, FWF-Einzelprojekt P 27877-G26 (2016)
- Workshop 2, FWF-Einzelprojekt P 27877-G26 (2016)
- Zum Spannungsverhältnis von Journalismus und Wissenschaft (2016)
- Jahrestagung der Gesellschaft für Medienwissenschaft 2015 (2015)
- conference contributions
- Sound as Material in Audiovisual Relations? (2023)
- Ana Threat plus 2 x Acetone FR-3 (2018)
- Gestures of Urgency: Woolworths Choir of 1979 (2018)
- "40 Jahre No Future": Punk, Repertoire und Retromanie (2016)
- Audio/Visual Dirt. Vom Begehren nach Materialität. (2014)
- Ausnüchtern am Aufmerksamkeitsmarkt? DIY-Ideale und Selbstoptimierungszwang (2014)
- audio
- concerts
- functions & practice
- journalistic activities
- general functions & practice
- Peer reviewer (2017)
- Peer Reviewer (2014)
- performances
- science to public
- public appearances