Univ.-Prof. MMag. Dr. Clemens Apprich
Clemens Apprich is head of the Department of Media Theory as well as the Peter Weibel Research Institute for Digital Cultures at the University of Applied Arts in Vienna, where he holds the Professorship for Media Theory and History since 2021. He studied philosophy, political science, cultural history and theory in Berlin, Bordeaux, and Vienna. In 2011 he became research associate at the Centre for Digital Cultures at Leuphana University of Lüneburg, where he was also guest professor from 2017 to 2018. From 2018 to 2019 he was a visiting research fellow at the Mel Hoppenheim School of Cinema, Concordia University in Montréal, and from 2020 to 2021 assistant professor in media studies at the University of Groningen. Apprich is still guest researcher at the Centre for Digital Culture, as well as an affiliated member of the Digital Democracies Institute at Simon Fraser University and of the Global Emergent Media Lab at Concordia University. His current research deals with filter algorithms and their application in data analysis as well as machine learning methods. Apprich is the author of Technotopia: A Media Genealogy of Net Cultures (Rowman & Littlefield International, 2017), and, together with Wendy Hui Kyong Chun, Hito Steyerl, and Florian Cramer, co-authored Pattern Discrimination (University of Minnesota Press/meson press, 2019). Currently, he is working on a new book about Animated Intelligence (Amsterdam University Press, forthcoming).
Contact
Office Hours: by Appointment
Phone: +43-1-71133-3550
Email: apprich[at]uni-ak.ac.at
Showroom: Clemens Apprich
- title
- Vom Wahn- und Wahrsprechen des technologisch Unbewussten
- type
- Article in Journal With Citation Index (Peer Reviewed)
- keywords
- submedial space, media theory, Digitale Medien, psychoanalysis, paranoiac knowledge, Medien- und Kommunikationswissenschaft, technological unconscious
- texts
- Abstract
- In Modes of Existence, Bruno Latour criticizes psychology for having drawn an untenable line between the inside and the outside, between the soul and the world. However, psychoanalysis is not concerned with describing the psyche as a purely internal phenomenon, but rather with adopting a fundamentally relational point of view that makes not only relations between people, but also their relationship to the technical world describable and therefore discussable. By taking into account Freud's idea of a psychic apparatus, this article depicts, from a theoretical perspective, the "technological unconscious" as a source of truth-telling in order to unveil current developments in digital cultures. It is precisely here that psychoanalysis, or a psychoanalytically inspired media theory, has a lot to offer: beyond Latour's "ontological pluralism," it takes up the question posed by Michel Foucault about the indissoluble linkage of the human subject to language and thus positions itself as a "counter science" to any anthropology.
- authors
- Clemens Apprich
- publishers
- Open Library of Humanities
- date
- 2018
- ISBN/ISSN/ISMN
- 2515-2076
- DOI
- 10.16995/lefou.42
- published in
- title
- Le Foucaldien
- volume/issue
- 4 (1)
- language
- German